B R I Q U E V I L L E is a band shrouded in mystery. On stage, they create an instrumental mantra of spooky guitars, modified field recordings and eery sampled chants. These meditative build-ups, based on the perseverant element of repetition, are contrasted with and ripped apart by sudden, unforeseeable outbursts of the purest and sheerest heaviness.
The black Nazgûl-robes and golden masks that all B R I Q U E V I L L E members wear on stage give their presence the air of an occult ritual… but B R I Q U E V I L L E are not chasing (a) GHOST; in fact they have worn their masks for 10 years plus, and even do so during rehearsals. The anonymity creates equality, and prevents a cult of personality… and makes it easier to swap out band members without anyone noticing.
Members of B R I Q U E V I L L E were active in various other bands from the local jazz, electro and metal scene, when they met over 10 years ago in a school building, with the ambition to improvise around one single note. „In order to do this anonymously and have the audience concentrate on the music, we decided to play with masks”, a band member explains. When they got out of the building after that session, they ran into an old man who told them a story of a son murdering his father right at the entrance of that school, many years ago. He pulled out a newspaper article to legitimize his story, before he disappeared.
This ludicrous story has ever since served as inspiration for the band’s pounding sound.
It wasn’t until 2014 that B R I Q U E V I L L E released their self-titled debut album, four tracks that all conclude around the 10 minutes mark. Upon release, the band buried 20 copies at various locations across the country, and gradually released the coordinates on their facebook page, animating fans to dig them up from the soil. The idea was met with great enthusiasm among their quickly growing fanbase, and will be revisited and extended for the release of Briqueville’s mesmerizing 2nd album, aptly titled „II“, which is to be released on September 22.